This book is an examination of the use of the family album in contemporary Spanish culture. Through the analysis of films, narratives, painting, and a photographic exhibition produced from the end of Franco's dictatorship to the present, Kim interrogates how the family album serves as a critical instrument to reflect on the treatment of the past in contemporary Spain, the recuperation of repressed identities, nostalgia for collective memory symptomatic of the cultural discontent with the erosion of a national boundary due to globalization and the increasing claim of diversity, and ethical concerns for immigration. This study explores a broad range of works by canonical as well as less studied writers and artists, including Juan Goytisolo, Carlos Saura, and Marta Balletbo-Coll. Yeon-Soo Kim is Assistant Professor of Spanish at Rutgers University.Histories, Subjectivities, and Immigration in Contemporary Spanish Culture Yeon -Soo Kim. tiempo no ... When he describes his daily routine in Brussels, a sense of solitude and imprisonment infiltrates his narration. In his life as a ... In the paragraph in which he indicates dissatisfaction with his life in Brussels, the voice of the narrator constantly slips into the third-person singular as he speaks of himself.
|Title||:||The Family Album|
|Publisher||:||Bucknell University Press - 2005|