Julie A. Turnock tracks the use and evolution of special effects in 1970s filmmaking, a development as revolutionary to film as the formAs transition to sound in the 1920s. Beginning with the classical studio eraAs early approaches to special effects, she follows the industryAs slow build toward the significant advances of the late 1960s and early 1970s, which set the stage for the groundbreaking achievements of 1977. Turnock analyzes the far-reaching impact of the convincing, absorbing, and seemingly unlimited fantasy environments of that yearAs iconic films, dedicating a major section of her book to the unparalleled innovations of Star Wars and Close Encounters of the Third Kind. She then traces these filmsA technological, cultural, and aesthetic influence into the 1980s in the deployment of optical special effects as well as the Anot-too-realisticA and hyper-realistic techniques of traditional stop motion and Showscan. She concludes with a critique of special effects practices in the 2000s and their implications for the future of filmmaking and the production and experience of other visual media.See UCLA (University of California, Los Angeles) University of Southern California (USC). ... Veevers, Wally, 75 Velle, Gaston, 31 Verne, Jules, 148 Vertigo (Hitchcock, 1958), 23, 38, 50, 152a53 Vertov, Dziga, 117, 118 Va#39;Ger sequence.
|Author||:||Julie A. Turnock|
|Publisher||:||Columbia University Press - 2014-08-01|