Contending that one way to understand and interpret a work of art is to recast it into another medium, Hoder-Salmon (women's studies, Florida International U.) presents a screenplay of American writer Chopin's The Awakening (1899), not for production, but as commentary on the novel. In two accompanyFiction and the Camera Eye: Visual Consciousness in Film and the Modern Novel. Charlottesville: University Press of Virginia, 1976. ... Montreal: Eden, 1979. Swann, Dwight V. Film Scriptwriting: A Practical Manual, zd ed. Boston: Focal, 1989.
|Title||:||Kate Chopin's The Awakening|
|Publisher||:||University Press of Florida - 1992|