Professor Franco Moretti argues heretically that literature scholars should stop reading books and start counting, graphing, and mapping them instead. He insists that such a move could bring new luster to a tired field, one that in some respects is among qthe most backwards disciplines in the academy.q Literary study, he argues, has been random and unsystematic. For any given period scholars focus on a select group of a mere few hundred texts: the canon. As a result, they have allowed a narrow distorting slice of history to pass for the total picture. Moretti offers bar charts, maps, and time lines instead, developing the idea of qdistant reading, q set forth in his path-breaking essay qConjectures on World Literature, q into a full-blown experiment in literary historiography, where the canon disappears into the larger literary system. Charting entire genresathe epistolary, the gothic, and the historical novelaas well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.Professor Franco Moretti argues heretically that literature scholars should stop reading books and start counting, graphing, and mapping them instead.
|Title||:||Graphs, Maps, Trees|
|Publisher||:||Verso - 2005|