very least to call it a provincialism, given the aesthetic significance of autonomous instrumental music in the late eighteenth and early nineteenth centuries. On the other hand, the omnipresence of absolute music in the twentieth century mustanbsp;...
|Title||:||German essays on music|
|Author||:||Jost Hermand, Michael John Tyler Gilbert|
|Publisher||:||Continuum Intl Pub Group - 1994-06|