How is arhythma experienced? What role does arhythma play in musiciansa search for a collective musical identity? These questions are answered in this book on the fascinating blend of musical styles and influences within contemporary Malagasy music. Madagascar is the fourth largest island in the world, athe footprint between Africa and Asia, a with a history marked by many waves of migration. Over the centuries, a wide range of styles of music, of instruments and of dance have become a part of the islandas musical palette. Despite this and the resulting diversity of regional musical particularities, musicians claim there is one element they all share: a common rhythmical base. To explore this claim and the meaning of arhythma in the Malagasy context, Jenny Fuhr makes use of her dual role as musician and researcher. Self-reflexive field research combined with learning to play and perform Malagasy music enables a profound intercultural dialogue. This book shows how her intense involvement in music-making and a constant dialogue between musical experiences and discourses opens up new paths of understanding. In doing so, it challenges prevalent Western analytical perspectives on music and demonstrates the need for a more performance-based approach to ethnomusicology.I had not played Malagasy music as part of a public concert until Erick Manana invited me to perform one song with him at his ... It was my Renaissance soprano recorder, favoured by me because its sound is strong but soft and easy to vary.
|Publisher||:||Cambridge Scholars Publishing - 2014-07-18|