How extraordinary everyday relationships shape dance.Donya Feuer search for narrative flow and contradicted the linearity of the performancea#39;s unfolding sequential order. Feuer and Sanasardo designed the program at Bick- forda#39;s Cafeteria, a few blocks from the studio, several weeks before the premiere. Given the sprawling ... The use of such vocabulary was still new to critics in 1961. Sanasardo said that the section entitled aquot;Departure, aquot; at the end of part 1, aquot;was just that: a slow exit from stage for some dancers, a quick exit for others.
|Title||:||Excursion for Miracles|
|Publisher||:||Wesleyan University Press - 2005-04-27|