This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athAcniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, qowned all the malachite mines in the world.q The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as AndrAc-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.... on the right, and Temperance holding calipers and a bridle, on the left, as well as for the rest of the silver crest decoration. ... Tinted green, the ivory was probably colored with verdigris using a technique described in manuals of the period.
|Title||:||European Furniture in The Metropolitan Museum of Art|
|Author||:||Daniëlle O. Kisluk-Grosheide,, Wolfram Koeppe, William Rieder|
|Publisher||:||Metropolitan Museum of Art - 2006-05-30|