Docudramas, films and movies-of-the-week based on true stories, offer their audiences performance as persuasion. As docudramas re-create actual people and events, these works perform their material. The premises of docudramasa persuasive arguments operate within the basic settings that stage performances of noteworthy events, the events of war, and the lives of noteworthy individuals. In performing the past, docudramas offer us a performance of memory. Through docudramatic performance, the memories of others become ours. The performance of memory roots docudramatic representation in actuality, and indicates the responsibility to serve the past that helps make docudrama a distinctive mode of representation. The spirit of obligation to the past also frames the ethical considerations docudrama raises, as performance in docudrama shapes public memory. Docudrama Performs the Past examines the spectrum of arguments docudramas offer as their re-creations reason from the arenas of events such as the hijacking of United Airlines Flight 93, wars ranging from World War II to Iraq, and the lives of actors, athletes, and politicians. The case studies developed in each chapter show how docudramaas re-creation of atrue stories, a its performance of memory, warrants the claims it forwards about how to remember the past. The aggregate of examining works made since the late 1990s allows us to see how, as recurring contexts, the arenas of docudramatic argument ground action and identity in the settings that frame performance, structure the moral value of the contestation that ensues, and shape the public memory of the past that docudramas perform.Arenas of Argument in Films based on True Stories Steven N. Lipkin ... Good Night serves as an appropriate kind of cautionary tale for an audience learning more now of the (ab)use of political ... dominated by the Patriot Act and a president and vice-president who unhesitatingly attacked critics of administrative policy.
|Title||:||Docudrama Performs the Past|
|Author||:||Steven N. Lipkin|
|Publisher||:||Cambridge Scholars Publishing - 2011-01-18|