German and Austrian music of the late eighteenth and nineteenth centuries stands at the heart of the Western musical canon. In this innovative study of various cultural practices (such as music journalism and scholarship, singing instruction, and concerts), David Gramit examines how music became an important part of middle-class identity. He investigates historical discourses around such topics as the aesthetic debates over the social significance of folk music, various comparisons of the musical practices of ethnic qothersq to the German qnorm, q and the establishment of the concert as a privileged site of cultural activity.qCultivating Musicq analyzes the ideologies of German musical discourse during its formative period. Claiming music's importance to both social well-being and individual development, proponents of musical culture sought to secure the status of music as an art integral to bourgeois life. They believed that qmusicq referred to the autonomous musical work, meaningful in and of itself to those cultivated to experience it properly. The social limits to that cultivation ensured that boundaries of class, gender, and educational attainment preserved the privileged status of music despite (but also by means of) their claims for the quniversalityq of their canon. Departing from the traditional focus on individual musical works, Gramit considers the social history of the practice of music in Austro-German culture. He examines the origins of the privileged position of the Western canon in musicological discourses and argues that we cannot fully understand the role that canon has played without considering the interests that motivated its creators.The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848 David Gramit. virtually everyone is now an imitative manual laborer [Handarbeiter ] for the going market rate. ... Therefore, then, even the highest goal of todaya#39;s so- called artist is this: to satisfy the greatest quantity of his payera#39;s follies at once.
|Publisher||:||Univ of California Press - 2001-12-03|