his menacing fans here poses what Susan Willis calls aquot;transformation as the site at which desire for black cultural autonomy coincides with ... progressively dismantles the distinction between Jackson and his nearly all-white, largely female audience, revealing his similarity to them, ... Dressed in a gold bodysuit over his black trousers (a crotch-accentuating outfit recalling the most flamboyant of Madonnaa#39;sanbsp;...
|Title||:||Cruising the performative|
|Author||:||Sue-Ellen Case, Philip Brett, Susan Leigh Foster|
|Publisher||:||Indiana Univ Pr - 1995-10|