The digital coloristas job is no longer to simply balance, fix, and optimize. Todayas filmmakers often want to recreate the idiosyncrasies of older recording methods, or are looking for something completely new, to differentiate the look of a given project. Furthermore, end-to-end digital shooting, postproduction, and distribution means that stylizations and effects once created by the film lab are no longer photochemically available. The color grading suite has become the lab, and these sorts of stylizations are now part of the coloristas job description. In this follow-up volume to the bestseller Color Correction Handbook, Alexis Van Hurkman walks you through twenty-one categories of creative grading techniques, designed to give you an arsenal of stylizations you can pull out of your hat when the client asks for something special, unexpected, and unique. Each chapter presents an in-depth examination and step-by-step, cross-platform breakdown of stylistic techniques used in music videos, commercial spots, and cinema. These customizable techniques can be mixed and matched for your own unique effects and include: ac bleach bypass looks ac cross-processing simulation ac day-for-night treatments ac emulating film stocks ac flat looks ac glows, blooms, and gauze looks ac grain, noise, and texture ac greenscreen compositing workflows ac lens flaring and veiling glare ac light leaks and color bleeds ac monitor and screen glow ac monochrome looks ac sharpening ac tints and color washes ac undertones ac vibrance and targeted saturation ac and many more!In this follow-up volume to the bestseller Color Correction Handbook, Alexis Van Hurkman walks you through twenty-one categories of creative grading techniques, designed to give you an arsenal of stylizations you can pull out of your hat ...
|Title||:||Color Correction Look Book|
|Author||:||Alexis Van Hurkman|
|Publisher||:||Peachpit Press - 2013-12-12|