Poet, novelist, essayist, playwright, and author of more than thirty books, Diane Glancy has established herself as one of the countryAs most versatile and prolific writers. Distinguished by her laconic honesty, her unflinching eye, and her skillful articulation of the commonplace, she presents Native American lifeAespecially the ways it intersects with nonnative cultureAin all its complexity and nuance. In her new collection of poems, she explores the history of loss that has marked the Cherokee community. In a voice that is as economical as it is eloquent and as sophisticated as it is exhilarating, she describes the loss of family, the loss of cultural heritage, and the loss of old worlds as new ones encroach. In one poem, a farm auction becomes an auction of culture, of heritage, of the past. In others, ancestors meet in a twenty-four-hour cafA½, lunch is shared with a great-grandmother who has been traveling the universe, Christ appears as a cowboy in an apocalyptic vision, and Clytemnestra is discovered in a snakeskin. Some of the poems are as campy as a duck-decoy Custer in a shooting gallery. Some glitter with dime-store glue. Others speak with the reflection of sunlight off a stream. Sometimes the verse produces a shortstop language on the baseline of experience. In whatever form they take, GlancyAs poems stimulate and challenge the reader with their unfettered, unadorned, and unpretty purity. This collection is not only a spirited ride across the Great Plains, it is also an important addition to the literature of whiteANative American cultural relationships.aquot;Dolla#39;s Bonesaquot; also appears in that journal. Acknowledgment to The Sacred Place , edited by Scott Olsen and Scott Cairns, University of Utah Press, for aquot;Asylum in the Grasslandsaquot; and aquot;Portrait of the American West.aquot; aquot;Buffalo Medicine, aquot; aquot;If I were anbsp;...
|Title||:||Asylum in the Grasslands|
|Publisher||:||University of Arizona Press - 2007-01|