Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.Folk tales of the Negro, as well as songs, sayings, and descriptions of Kegro ma^ ic or voodoo, have been effectively used in literature, with varying authenticity, by such white writers as Roark Bradford, Carl Carmer, Joel Chandler Harris, anbsp;...
|Title||:||Analysis and Assessment, 1940-1979|
|Author||:||Cary D. Wintz|
|Publisher||:||Taylor & Francis - 1996|