Japanese folk performing arts incorporate a body of entertainments that range from the ritual to the secular. They may be the ritual dances at Shinto shrines performed to summon and entertain deities; group dances to drive away disease-bearing spirits; or theatrical mime to portray the tenets of Buddhist teachings. These ritual entertainments can have histories of a thousand years or more and, with such histories, some have served as the inspiration for the urban entertainments of no, kabuki and bunraku puppetry. The flow of that inspiration, however, has not always been one way. Elements taken from these urban forms could also be used to enhance the appeal of ritual dance and drama. And, in time, these urban entertainments too came to be performed in rural or regional settings and today are similarly considered folk performing arts. Professor Terence Lancashire provides a valuable introductory guide to the major performance types as understood by Japanese scholars.In Hondaa#39;s tri-partite division of field entertainments Mibu no hana taue is an example of the planting ritual of taue shinji. ... for an agricultural connection, in reality, as will be seen below in some of the historical documentation, the connection with the field is often non-existent. Instead ... Today, many dengaku titled performances (Figure 3.2) fit Hondaa#39;s 1 Historically, only the term dengaku ... At the risk of confusion, when dealing with historical contexts, I use only the word dengaku here.
|Title||:||An Introduction to Japanese Folk Performing Arts|
|Author||:||Professor Terence A Lancashire|
|Publisher||:||Ashgate Publishing, Ltd. - 2013-01-28|