In the middle of the eighteenth century, something new made itself felt in European cultureaa tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but peopleas very structures of feeling, their ways of doing and being. In what is sure to become a critical classic, An Archaeology of Sympathy challenges Sergei Eisensteinas influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capraas It Happened One Night, Mr. Deeds Goes to Town, and Itas a Wonderful Life. Chandler then moves forward to romanticism and modernismatwo cultural movements often seen as defined by their rejection of the sentimentalaexamining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, An Archaeology of Sympathy casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world.James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike.
|Title||:||An Archaeology of Sympathy|
|Publisher||:||University of Chicago Press - 2013-06-17|