Alien Zone

Alien Zone

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This is especially true of the science fiction filma€”a genre as old as cinema itselfa€”which has rarely received the serious attention devoted to such genres as the western, the film noir and recently, under the aegis of feminist film theory, the so-called qwoman's film.q Alien Zone aims to bring science fiction cinema fully into the ambit of cultural theory in general and of film theory in particular. The essays in this booka€”some newly written, others gathered from scattered sourcesa€”look at the ways in which contemporary science fiction films draw on, rework, and transform established themes and conventions of the genre: the mise-en-scene of future worlds; the myth of masculine mastery of nature; power and authority and their relation to technology. This material is ordered and contextualized by the editor with a view to exploring how science fiction cinema has been approached critically and theoretically by commentators on the genre: as a mirror of society, as bearing or producing ideology; as caught up in an intertext of media productions, or as expressing unconscious desires. Contributors include Giuliana Bruno, Scott Bukatman, Thomas B. Byers, Barbara Creed, Anne Cranny-Francis, Daniel Dervin, H. Bruce Franklin, James H. Kavanagh, Douglas Kelner, Steve Neale, Judith Newton, Constance Penley, Hugh Ruppersberg, Michael Ryan, Vivian Sobchack, Michael Stern, J. P. Telotte, and Paul Virilio.Any consideration of science fiction cinemaa#39;s cultural instrumentality calls by definition for an awareness that films exist not in isolation, but in an active ... For example, in an explicit reference to Fritz Langa#39;s Metropolis (1926), the science fictionanbsp;...

Title:Alien Zone
Author:Annette Kuhn
Publisher:Verso - 1990


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